My role as an artist is deeply connected to my existence within nature. My work is not separate from who I am; it is an integral part of a larger whole. I create with what I have and encounter the shifts I am going through. I find the collaboration with not only living but also non-human forms are crucial, as it helps protect our shared
My role as an artist is deeply connected to my existence within nature. My work is not separate from who I am; it is an integral part of a larger whole. I create with what I have and encounter the shifts I am going through. I find the collaboration with not only living but also non-human forms are crucial, as it helps protect our shared space. Through my work, I aim to project these visions and open a dialogue, allowing my story to transform and evolve to something greater than myself.
My work tells a personal story, but it is also meant to be seen, felt, and experienced by others. Through this interaction, it transforms into something new—something from which I can learn. I see my work as interconnected, like the world I live in.
Sometimes, we come across things that do not need an explanation or we simply do not feel the need to explain them. Other times, especially when faced with the unexpected, we start a journey that reveals new possibilities within us. I often refer to both of these as serendipitous encounters which inspire the beginnings of my new work.
We have only one individual viewpoint, shaped by the unique combination of our DNA, experiences and the practices we engage in daily lives.
When we look at something from a distance, it appears as a tiny dot or a blurred image. We cannot describe the details because we are not close enough to experience them.
I see the world similarly. My curiosity drives me to ask questions, until I feel close enough to truly start feeling something I did not understand before. This helps me feel connected to myself and to the world around me.
I find the continuous practice of empathy one of the most intriguing notions in life. We know we are all different, experiencing everything uniquely, yet we have this concept that allows us to come closer or distance ourselves, as we feel comfortable.
Working on something over a long period of time, allows me to step away and revisit the work, which is a vital process of my making.
I often view nature as my canvas. It cannot be rushed; it is unpredictable, with countless invisible processes occurring constantly. We must accept that we might never fully understand them.
We are so insignificant compared to nature. When using nature as part of my work, I try to collaborate with it- not harm or be selfish- always reminding myself of how much there is yet to learn and discover.
Transient is the first Chapter of the series Are We Disposable. A narrative, projecting a personal loss but also inviting the viewers in, creating a collective space for reflection and transformation.
Sharing something ancient and something deeply rooted within us- a sense of belonging, a survival instinct - and an emotional connection.
Partially felled trees, standing seven meters high, in an irregular circle, in the middle of a deep forestland, wrapped in a white cloth, passed through the circle of seasons.
Projecting on past experiences and the impermanence of life.
Calm and almost sacred like space. Carefully gathered bed sheets around delicate bodies, creating wonder but also uncertainty. The mystery that lies beneath, the fragility of life and “every” living thing.
In a way the uniformly wrapped tree trunks are collectively looking like a palliative care unit. But there is no unified understanding of grief, mourning or even nature.
Wrapping is an act of care, metaphorically telling a story of looking after living and non-human forms, nearing the end of their lives.
The large-scale installation encourages ambiguity, viewers to engage, to bring their own experiences and interpretations to the space.
Blurring lines between public and private space, I am inviting to reconsider the perceptions of space, privacy but also the community.
Monumental tree trunks are a symbol of remembrance, but also a space for transformation, asking questions, what matters and what can we do?
September 2023
September 2023
October 2023
November 2023
December 2023
January 2024
Fiber as one of the oldest parts of human civilization is pushing me into new territories, exploring socio-cultural landscape.
I used a discarded yarn, once handled together with the previous generations to measure the distances between the trees. The fiber became a tool of reclamation of the territory, adjusting the displacement of my own identity. Asking how did I get here?
Fabric not about aesthetics only, is a medium that carries deep cultural, historical, and personal significance and allows to explore complex themes in new ways. Projecting on past experiences, reflecting on the impermanence of human nature. Fabric by its nature is prone, over time it can fade, fray and disintegrate, much like human life. This burial cloth I made for my mother whilst creating the project Are We Disposable, illuminates the use of fabric around the trees, its physical deterioration mirrors the inevitability of aging and mortality of humans. It also questions the actions of today, the longevity and wellbeing collectively. How are we related to its consumption?
Our vision which essentially remains old, shapes the transformation through our expectations closely related to where we are coming from, what we have experienced and how we have translated them. By using discarded materials, closely connected to human footprint on a larger scale, globally, I am opening a dialogue. Asking what can we do collectively?
Forests are a natural sanctuary, offering shelter not just to countless species of wildlife, but also to humans seeking solace, inspiration, and connection. They envelop us in their protective canopy, fostering a sense of safety and peace. Symbolizing resilience and harmony, standing as a timeless refuge amidst an ever-changing world.
Questions our impact, our role and values. How does it affect the causes around us?
Is "We" a space, a local environment, familiar surroundings, economic environment or is "We" a global awareness?
An identity. What are the responsibilities in our socio-cultural landscape?
The surrounding nature creating a space of eternity, birds flying by, air so fresh, it seems to hold its breath. Awakening emotion through a distant sound of the ancient forest. The wonder between closeness and distance. Curiosity and vulnerability, hidden whispers of the wind, revealing the weathered surface of the cloth, tousling through the fabric, the opening of the inner circle, blurring the lines with the world.
The end of something significant in our lives can often leave us feeling disconnected and lost, but death can equally symolise transformation and change. most things in life are already here, we are just learning to notice them through the contradicting dialogues within us as we pass through these external experiences. Reviving the ambiguity of the larger scale, reflecting on protection and wonder, the mystery that lies beneath, the fragility of life and every living "thing". Are we consigned to the book of history or to the recycling bin?
The intricate connections between human and non-human forms. The balancing act between nature, human and technology.